The knight may represnet a true friend, which are rare. i would say no dog would have a face like this in reality. In his first book, Instructions for Measuring with a Compass and Ruler  (1525), Dürer considered, at length, the matter of perspective. Some have tied the conception of the engraving to the Handbook of a Christian Knight, written by the Dutch humanist, Erasmus of Rotterdam. https://lutheranreformation.org/history/albrecht-durers-knight-death-devil Knight, Death and the Devil (1513), is one of Dürer’s most famous and most complex artworks that has been subject to much debate among art historians. There is still no description of this artwork. Albrecht Dürer, Adam and Eve (B., M,. Loggy and Alex’s friendship in Miami’s redeveloping Liberty Square is threatened when Loggy learns that Alex is being relocated to another community. is the devil meant to be a threatening figure, or rather is he meant to be the knight's companion and/or follower? (On his trip back across the Alps from Venice, he also painted a series of topographical watercolours, said by some to be the first pure landscape studies in art history.) This is not a statement of indifference or of bleak pessimism, but rather of complete acceptance of inevitable realities. Artwork analysis, large resolution images, user comments, interesting facts and much more. My own version of Dracula, newly-uploaded and featuring Bram Stoker's actual text. In the 1510 woodcut, Death confronts the indifferent Knight, who appears unconcerned by the ominous encounter. Find out more about what data we collect and use at, Quick search helps finding an artist, picture, user or article and prompts your previous searches, Login to use Arthive functionality to the maximum, Register to use Arthive functionality to the maximum, This action is only available to registered users. Yes, you are right: the 'noble' knight was largely an invention of romantic fiction. From then on, bouts of fever became as regular a part of his life as consultations with a doctor. There, in the highest blaze my solitude lengthens and flames; its arms turning like a drowning man's. I name some examples from a german book about knights. In “Knight, Death and the Devil”, the lower left corner is of utmost significance in understanding the scene. 241; S.M.S. Woodcut with letterpress text, 1515. John's visions read like reports from other realities, and have inspired artists from Dürer to Turner. As this etching coincides with the start of the Renaissance, it provides a vision of individual courage against the anxieties of death and despair. Adamant Media Corporation, 2005 • Panofsky, E. The Life and Art of Albrecht Durer (Princeton Classic Editions). Historical documentation refers to the phenomena of Robber Knights, who attacked and louted dealers and merchants, threatening trade and finances of cities such as Nuremberg (Dürer’s place of birth and principal place of residence). Privacy Policy, Even as a 13-year-old, he was breaking new ground, Dürer’s home city was one of the most important in Europe, He is credited with bringing the Renaissance to Northern Europe, He was a fine painter, and an even finer printmaker — perhaps the greatest there has ever been. In this final image, the subject is confronted by the nightmarish sight of Death and a goat-faced devil, but keeps calm and carries on, firmly gripping his reins and ensuring his horse’s steady path. If indeed the knight in Knight, Death and the Devil is a ‘Robber Knight’, the devil and death are not his adversaries, but rather his companions. The landscape through which this stoic knight journeys, both mental and physical, is wholly Gothic.

Many critics have seen the image as one of a three-part group, along with the “Knight, Death and the Devil” (“Ritter, Tod und Teufel”) and his equally famous “Melencolia”.

"By this he was referring to the contrast of the Knight and his horse. 39). there were some people of 9/11 who helped on this day, without thinking about else, than just help victims. In subsequent decades, Dürer gained considerable renown in Italy, where even the art historian Giorgio Vasari — notably dismissive of artists from beyond Tuscany, let alone Italy — praised his ‘beautiful fantasies and inventions’. A brief return to Nuremberg to marry (his father having organised a wedding with Agnes Frey, a wealthy local merchant’s daughter) was followed by another trip: this time across the Alps to Venice. Dover Publications Inc. , 1970 • Heaton, Mary Margaret. This happens to be pretty much my favorite work of art (along with another Dürer work, his 'Melancholia'), which also is why I used it for my blog header.